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Spirit
of Aloha | Articles
| Aloha Shorts | September/October
2005
Aloha
Shorts
News
and Notes from Around our World

A Timeshare to Remember
Are freshing kind of sense of the complex vacation
and timeshare market is made on a regular basis by
the Scottsdale, Ariz.-based magazine Hiatus, which
goes to great lengths each year to rate hundreds of
resorts and timeshare properties, comparing them, as
they say, “side-by-side.” David Wood, the publisher
and editor of Hiatus, has written with a certain
frankness that “although the industry has made
dramatic changes for the better, many people are
still confused by the timeshare product and the
process of buying the product, which includes
attending a presentation.”
It was thus welcome news for several Hawai‘i-based properties in
the magazine’s current “Buyer’s Guide” issue when ratings for
2005 were announced. Eight of these sun-dappled vacation
resorts were selected as the Editor’s Choice, and the Westin
Kā‘anapali Ocean Resort Villas on the island of Maui was named
“the best timeshare resort in Hawai‘i” and among
the top 10 resorts worldwide. Publisher Wood told Spirit of Aloha,
“The Westin is a real favorite among our subscribers,
and we have awarded the resort our Editor’s Choice
award the last two years.”
Three Hawai‘i-based Marriott properties were also
highly honored by the magazine as Editor’s Choices.
They were included in a special group with Fairfield
Kona Hawai‘i Resort at Kailua-Kona on the Big Island,
Embassy Vacation Resort at Po‘ipūPoint and Marriott’s
Waiohai Beach Club on Kaua‘i, Marriott’s Maui Ocean Club
and Worldmark Kīhei on Maui, and the HGVC at Hawaiian
Village and Marriott’s Ko Olina Beach Club on O‘ahu.
If you’re a timeshare enthusiast, but don’t know how t
he system really works, visit gohiatus.com
New Galleries of Fine Art
Everybody in the community and visitors
alike are invited to the Honolulu Academy of
Arts on Saturday, Dec. 3, for an open house
that celebrates the opening of 10 renovated
and reinstalled galleries devoted to the
display of the academy’s significant collection
of European painting, sculpture and decorative
arts. The event marks the end of the final
phase of a seven-year expansion program, which
began in 1998.
The suite of 10 galleries is dedicated to the presentation of
Western antiquities from Greek and Roman times, as well as
from Egypt and the ancient Near East; Italian Renaissance
paintings and sculpture; 17th- and 18th-century European art;
a suite of three galleries devoted to cross-cultural influences
in East-West arts; and the acclaimed collection of European
masterpieces by artists such as van Gogh, Monet and Picasso.
“Since 1988, more than $15 million has been invested into
creating a world-class museum experience in Hawai‘i, which
will both attract more tourists and support the community’s
need for art education and cultural enrichment,” says its director,
Stephen Little.
The open house is free, from 10 a.m. to 4:30 p.m.
Live entertainment will be featured throughout the day. Come one, come all
Speed Sailing to Molokini
The windy afternoons of Mā‘alaea are perfect
for real sailing, which is the idea behind a new “Extreme
Molokini” sailing adventure from Trilogy Excursions of Lahaina,
Maui. Offered for groups on a reservation basis, the “extreme”
trip leaves Mā‘alaea Harbor at 1:45 p.m. and returns by 5:15.
Chris Walsh, director of operations, says, “We named the trip
Extreme, because there is a lot of sailing involved in this
trip. The weather is more extreme and better for speed
sailing and ocean adventures.” On the way to Molokini,
lunch is served. At the beautiful crescent-shaped island,
snorkel equipment is provided and scuba dive upgrades are
available. The One-Tank Certified Dive upgrade, which explores
the marine life of Molokini crater, requires a certification
card. More information at 661-4743 or toll free at 888-MAUI-800. Also visit www.sailtrilogy.com
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Big Surf Money on
Monster Waves
Once again, big-time surf money
comes to the North Shore of O‘ahu. The Vans
Triple Crown of Surfing—three premier big-wave
series of events—will be held in three sites,
beginning with the Op Pro Hawai‘i on Nov. 12
to 23 at Hale‘iwa, followed by the O’Neill
World Cup of Surfing at Sunset Beach Nov. 25
to Dec.7, and concluding with the Rip Curl
Pro Pipeline Masters at Banzai Pipeline Dec.
8-20. Total prize money: $670,000. Most
surfers consider these three events to be
the sport’s most coveted titles. This is
surfing at its most glorious: At Pipeline,
waves reach five stories high and then march
shoreward before exploding upon a barely
submerged coral reef. You’d better drive
out and watch this one!
Save Gas! Wear Aloha Shirts
Although winter weather has
now arrived on the shivery shores of
Japan, we could not resist reporting how
one Hawai‘i-based company has warmed the
cockles of Japanese hearts by participating
with aloha spirit in a campaign to help
Japan save more than 80 billion gallons of
oil. Last summer, the Japanese government
suggested that all private and public
office workers, including “big wigs,”
discard suits and ties for the hot, humid
summer. The nationwide directive was called
“Cool Biz.” It was thought that by raising
the temperature of office air conditioners
from 77 degrees to 82 degrees, the 80 billion
gallons would be saved.
Since the aloha shirt is perfect hot-weather attire, Hawai‘i-based
Hilo Hattie, the state’s largest manufacturer of Hawaiian resort and
casual fashions, leaped into the fray with colorful enthusiasm,
advertising “Earth friendly” ways to dress down in a special advertising program
in Japanese co-sponsored by the Hawai‘i tourism Japan office. Surely,
Island prints and colors make any office more relaxing and productive.
Let’s take “Cool Biz” worldwide!
Hot Magma in a Cool Setting
Adventure will become more user-friendly
with the opening on Nov. 19 of the new
Science Adventure Center at Honolulu’s Bishop
Museum. Indeed, this may be the only time of your
life when you can walk through an “erupting”
volcano, modeled after Kīlauea’s active vent,
and actually explore the infrastructure of a
volcanic lava plume by pumping hot magma.
The $17 million, 16,500-square-foot science wonderland
spotlights Hawai‘i’s natural environment. The exhibits also
feature a deep-sea ocean tank where you can observe a diorama
of Hawai‘i’s youngest volcano, Lo‘ihi; a 160-foot Origins
Tunnel, with glowing artwork created by local schoolchildren;
and a Living Islands Gallery, where adventurers simulate the
work of Bishop Museum research scientists. Visitors will have
opportunities to learn about oceanography, geology, entomology,
botany, volcanology and seismology.
Bill Brown, president and CEO of Bishop Museum, says: “No other
science center in the United States has state-of-the-art,
extremely interactive exhibits that focus on an environmental
theme. It helps take education to a whole new level for this generation.”
Admission to the museum is $14.95 for adults and $11.95 for youth
4 to 12 years old. It is open from 9 to 5 daily.

MUSIC:
Listen Up
Brickwood Galuteria, Hawaiian 105 KINE’s “Aloha
Morning Show” radio host, chooses this list of recommended
music from the Islands, with all selections widely available
at Island record stores:
• Sonny Lim—Slack Key Guitar, the Artistry of Sonny Lim: One of the
finest practitioners of the Hawaiian slack key style, Sonny
“Kohala” Lim grew up immersed in the sounds of the famous
musical Lim family, who were among the Kohala region’s
originators of the ki ho‘alu (slack key) style. One of
our favorites is the “Punahoa Special,” a pleasing
complement to traditional standards such as “How D’Ya Do”
and “Mauna Loa Slack Key.”
Linda Dela Cruz—Hawai‘i’s Canary: Inspired by “Hawai‘i’s Songbird,”
Lena Machado, Dela Cruz takes us back to the days of our Tutu Man (grandfather), when we listened to 1950s radio characters like
Lucky Luck. “Kūhiō Beach” is a paean to the old-time beachboys
of Waikīkī and “Come My House” is a pidgin classic that embodies
our aloha spirit of sharing.
• Sean Na‘auao—Ka ‘Eha ke Aloha: One of the Islands’
favorite contemporary artists offers up a wonderful
selection of standards (including “Papalina Lahilahi”),
as well as the romantic title cut, “Ka ‘Eha ke Aloha,” written
by kumu hula Frank Hewitt. With this album, Na‘auao returns
to his traditional Hawaiian roots, saying aloha to “Jawaiian”
music, for the time being. Like what you hear? Then head down
to Waikīkī for one of Na‘auao’s live performances at the
Sheraton Moana Surfrider, en plein air under the historic
banyan tree (call for his rotating schedule at various
Sheraton hotels during Starwood Hawai‘i’s current “Flavors
of Island Music” campaign, showcasing the Islands’ top entertainers).
Books
A Multitude of Dreams
On page 58 of this issue we explore the trials and
tribulations and inevitable complexities of learning
the Hawaiian language. But this book describes in
nine dream stories from Hawai‘i’s past how, having
no written language, Hawaiians passed their history
and life lessons down in the form of legends, which
were committed to memory and then told again and
again. Hawaiian Legends of Dreams (University of
Hawai‘i Press, Honolulu, 2005), retold and illuminated
by Caren Loebel-Fried, with a foreword by Keola
Beamer, tells, among other things, how Hawaiians
of old believed they communicated with ‘aumākua,
their ancestral guardians, while sleeping. During
sleep, people received lessons of guidance from the gods.
Diminishing Dreams
America’s economic future and place in the
global community may well lie in the nation’s ability
to continue to attract talented immigrants—and keep
them here. David Heenan, a trustee for the Estate of
James Campbell in Honolulu, one of the nation’s
largest landowners, believes that a multitude of
innovative reforms are required to prevent the
exodus of valuable human capital that is, in his
studied opinion, a threat to the country’s
future prosperity. This “reverse brain drain”
may well tip the balance between America’s
technological and scientific preeminence and a
slow, withering decline into mediocrity.
Sound gloomy? Read his proposals and wake-up
calls in Flight Capital (Davies-Black Publishing,
Mountain View, Calif., 2005). “History,” writes
Heenan, “offers many examples of great countries
that came to a catastrophic end because of their
unwillingness to respond to change.”
Island Dreams
For a place of its small size and population,
Hawai‘i has always inspired fiction of large
ambition and sprawling canvases. Two recent novels
by long-time residents continue the tradition. The
Braid, by Ian MacMillan (Mutual Publishing, Honolulu,
2005) continues the author’s dramatic stories of complex,
dysfunctional families who struggle to find redemption in
idyllic settings. MacMillan, who won the 1992 Hawai‘i Award
for Literature, teaches fiction writing at the University
of Hawai‘i.
Web of Islands, by John Griffin (Xlibris Corp., 2005), is a Michenerlike sequel
(but far fewer pages) to the author’s 2002 novel about Hawai‘i in the years after
World War II up to statehood in 1959. In these new chronicles of
modern Hawai‘i, multiracial peoples inhabit a world of struggle,
dreams and the inevitability of generational misunderstanding,
as the Islands come to grips with momentous social change and
the arrival of another century. Griffin was the editorial page
editor of The Honolulu Advertiser for many years. 
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